Alongside his interdisciplinary practice developed over the past decade through his decentralized festival platform Festival Nights, Yury Revich has recently presented a series of new original works exploring the intersections of music, movement, visual and applied art, technology, and visual space.
A short film introducing Yury’s multidisciplinary and interdisciplinary work
can be viewed here:
Upcoming premieres in 2026 include performances at the Musikverein Vienna, Künstlerhaus Wien, and additional venues.
His past large-scale creations include an interdisciplinary performance for violin, string quartet, piano, dance, and live painting at the World Expo Dubai 2020, as well as a collective performance at Art Basel Paris (2023) for violin, electronics, AI-curated visuals by Dr Formalyst, and dancer Arthur Cadre.
HUMAN is an interdisciplinary triptych exploring movement, the body, and sound – acoustic and electronic. Commissioned by Galerie Thaddaeus Ropac, the work successfully premiered in Paris and received a strong public response.
Yury also presented a new work Visions in Transit commissioned by Bergson Kunstkraftwerk and Wolfgang and Anne Titze, combining live music performance with real-time generated 3D visuals by Aleksei Parkhomenko. The project explores sound and melodism as architectural material.
INVISIBLE.2 with Mathias Hanin is a duo work that develops a technique of “painting with sound.” The project translates live violin performance into real-time physical visual painting, transforming sound into visible matter.
Depending on the character of the music, paint appears in different forms and structures. The core idea is to make sound visible and, through this process, to give visibility to composers and artists whose work has historically remained unseen due to gender or ethnic origin.
The project incorporates Yury’s original music alongside works by women composers and composers of color, bringing their sound literally onto the canvas.
INVISIBLE.2 with Mathias Hanin is a duo work that develops a technique of “painting with sound.” The project translates live violin performance into real-time physical visual painting, transforming sound into visible matter.
Depending on the character of the music, paint appears in different forms and structures. The core idea is to make sound visible and, through this process, to give visibility to composers and artists whose work has historically remained unseen due to gender or ethnic origin.
The project incorporates Yury’s original music alongside works by women composers and composers of color, bringing their sound literally onto the canvas.
Commissioned by Fondazione Santa Maria della Scala in Siena, Echoed Bodies is a creation for musician, electronics, two dancers, and a choreographed sound installation by Jacob Hashimoto. The work explores resonance between physical movement, sonic space, and sculptural presence.
Commissioned by Fondazione Santa Maria della Scala in Siena, Echoed Bodies is a creation for musician, electronics, two dancers, and a choreographed sound installation by Jacob Hashimoto. The work explores resonance between physical movement, sonic space, and sculptural presence.
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