YURY REVICH | OLARIO
INTERDISCIPLINARY CREATOR
INTERDISCIPLINARY CREATOR
Alongside his interdisciplinary practice developed over the past decade through his decentralized festival platform Festival Nights, Yury Revich has recently presented a series of new original works exploring the intersections of music, movement, visual and applied art, technology, and visual space.
A short film introducing Yury’s multidisciplinary and interdisciplinary work
can be viewed here:
Upcoming premieres in 2026 include performances at the Musikverein Vienna, Künstlerhaus Wien, and additional venues.
His past large-scale creations include an interdisciplinary performance for violin, string quartet, piano, dance, and live painting at the World Expo Dubai 2020, as well as a collective performance at Art Basel Paris (2023) for violin, electronics, AI-curated visuals by Dr Formalyst, and dancer Arthur Cadre.
HUMAN Galerie Thaddaeus Ropac (October 2025)
HUMAN is an interdisciplinary triptych exploring movement, the body, and sound – acoustic and electronic. Commissioned by Galerie Thaddaeus Ropac, the work successfully premiered in Paris and received a strong public response.
INSIDE THE DISTANCE Künstlerhaus Vienna (February 2026)
Inside the Distance is an interdisciplinary performance conceived, composed, directed, and staged by Yury Revich. The work unfolds as an interdisciplinary exploration of proximity and separation, tracing the fragile and shifting space between inner and outer realities.
Through the interplay of live music, movement, electronic soundscapes and costume design, the piece navigates tension, intimacy, uncertainty and perception. Sound and body become carriers of emotional and psychological states, revealing moments of connection as well as distance – both visible and invisible.
Inside the Distance invites the audience into an evolving landscape of sensation and reflection, where boundaries between genres and emotions blur.
Premiered at Künstlerhaus Vienna on February 26, 2026.
VISIONS IN TRANSIT at Bergson Kunstkraftwerk Munich (October 2025)
Yury also presented a new work Visions in Transit commissioned by Bergson Kunstkraftwerk and Wolfgang and Anne Titze, combining live music performance with real-time generated 3D visuals by Aleksei Parkhomenko. The project explores sound and melodism as architectural material.
NVISIBLE.2 (Premiere 2026)
INVISIBLE.2 with Mathias Hanin is a duo work that develops a technique of “painting with sound.” The project translates live violin performance into real-time physical visual painting, transforming sound into visible matter.
Depending on the character of the music, paint appears in different forms and structures. The core idea is to make sound visible and, through this process, to give visibility to composers and artists whose work has historically remained unseen due to gender or ethnic origin.
The project incorporates Yury’s original music alongside works by women composers and composers of color, bringing their sound literally onto the canvas.
INVISIBLE.2 with Mathias Hanin is a duo work that develops a technique of “painting with sound.” The project translates live violin performance into real-time physical visual painting, transforming sound into visible matter.
Depending on the character of the music, paint appears in different forms and structures. The core idea is to make sound visible and, through this process, to give visibility to composers and artists whose work has historically remained unseen due to gender or ethnic origin.
The project incorporates Yury’s original music alongside works by women composers and composers of color, bringing their sound literally onto the canvas.
Echoed Bodies (November 2025)
Commissioned by Fondazione Santa Maria della Scala in Siena, Echoed Bodies is a creation for musician, electronics, two dancers, and a choreographed sound installation by Jacob Hashimoto. The work explores resonance between physical movement, sonic space, and sculptural presence.
Commissioned by Fondazione Santa Maria della Scala in Siena, Echoed Bodies is a creation for musician, electronics, two dancers, and a choreographed sound installation by Jacob Hashimoto. The work explores resonance between physical movement, sonic space, and sculptural presence.
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