Inside the Distance

Following a sound installation at the museum entrance, four musicians (violin, viola, guitar and flute) form four “angles,” defining a shifting, elastic space. Connected by a fine thread, they initially create a small square that gradually expands as the performers move outward, drawing the audience into its geometry until borders soften and the room becomes fluid.

Each performer carries a discreet speaker transmitting an individual sonic layer — pulses, breaths, processed tones, and spatial echoes. As the musicians move, these mobile sound sources construct a living acoustic architecture that continuously reshapes itself through position, distance, and motion.

The audience stands within this evolving space, free to enter, leave, or follow its changing perimeter. The musicians move in slow circular paths, playing while shaping invisible walls of sound. How the space resolves — whether it expands, dissolves, or transforms — remains open, guided by the audience’s presence and choices.